A year in London

Friday, May 06, 2005

You might have noticed...

This blog kind of, um, died. This term has been killer and ... well ... I wasn't into it. For those of you desperate for Heather updates of a slightly more random nature, check out my livejournal here. (By the way, when I say random, I'm not kidding.)

Anyway, thanks for reading!

Saturday, February 05, 2005

A weekend in Cardiff

The thing about living in London is, despite the pervasive British accent, the abundance of pubs and the driving on the left, it's sometimes a bit difficult to remember you're in the U.K. It's cosmpolitan in every sense of the word; in fact, more of my friends are from other European countries than from the U.K. itself. My day-trip to Brighton was a short foray into the 'real' Britain, but last weekend I figured it was time to start venturing out of the big city and into the rest of the country. Well, that and my friends C. and G. got me a weekend trip to Cardiff for the three of us back in December for my birthday.

We hopped on a National Express bus late Saturday morning, loaded up with caffeine and travel-friendly lunch supplies, and arrived in Cardiff three and a half hours later after an uneventful tour of some highways (no exciting back roads for us), and a quick peek -- through the bus windows -- at another Welsh town, Chepstow, which is probably a stop mainly for its proximity to the famous Tintern Abbey. After quickly dropping our stuff at our hotel, the very nice and inexpensive Travelodge, we wandered up St. Mary's Street towards Cardiff Castle. During our walk we encountered many banners, some composed of tree lights, some not, informing us that the "youngest capital in Europe" was celebrating its 50th year holding this position. Now this is slightly ridiculous as people have been living in Cardiff at least for the past 2000 years, when the Romans built the first version of the Castle -- but hey, whatever gimmick gets the tourists running.

We'd missed the last tour of the castle for the day, so consoled ourselves by walking along Queen Street, a pedestrian shopping area. C. and I were quickly hypnotized by the sale signs, and close to ecstatic when we realized that the store's prices were just as cheap as in London, but with 1/5 of the crowd size. After a little more wandering through the Arcades -- little pedestrian side-streets -- and the requisite mocking-of-cheap-crap at a tourist shop, we three had worked up quite an appetite. Our friend T., a Cardiff native, had recommended a little place called La Brasserie, a restaurant with no set menu but a wide array of fresh meat and fish, which you select yourself and have made-to-order. When we first entered it looked to be a cosy bistro-type joint: dark wood, low ceiling with, inexplicably, as many pitchers hanging from it as could fit, but in fact it turned out to be a huge monster restaurant full of people happily stuffing their faces. We were more than happy to join the crowd, ordering swordfish and sole, helping ourselves to heaping salads from the salad bar, and even enjoying a nice port and cheese plate after the meal. The fish was fresh and delicious, and as our waitress was new (and Spanish -- G. developed a crush and nicknamed her "Bunny," for a reason I can't recall), we got to watch the manager teach her how to take the sole off the bone. (I watched carefully, but still wouldn't trust myself to try it unsupervised.) We stayed for probably about three hours, and while gluttony was the main reason, voyeurism came in a close second. Turns out the packed Brasserie is the place to be on a Saturday night -- dozens of local women treat the place like a catwalk, and come out in their best nightclub attire, which, to our well-trained London eyes, looked delightfully provincial. We hadn't dressed up at all for dinner, and in fact we looked decidedly scruffy in sweaters and jeans, so felt free to watch the show by those trying their best to be Cardiff's local glitterati.

Turns out that was only the beginning. Got back out onto St. Mary's Street, overstuffed and ready to waddle across the street to our conveniently located digs, to find the street closed off to cars and filled with what seemed like all of the 30-years-and-under population of Wales, swarmed around two or three nightclubs, all shouting at the tops of their lungs. No reason, mind you, this is apparently what a Saturday night in Cardiff always looks like! There were no less than four hen parties (as bachelorette parties are called here), and the name seemed particularly well-suited on this evening as the women, wearing matching T-shirts and stumbling, squawked at each other and anyone who came within a 20-foot radius. Not that the men were any better, but at least they weren't wearing matching clothes. We stood outside for about five minutes, watching as the bouncers flirted with poor confused girls wearing bandeau tops as mini-skirts, a man or two ran by wearing stolen hen-party wedding veils, and other madness ensued... but at the sound of broken glass we scooted into the bunker, er, hotel. The next morning we found a couple of quite large windows up and down the street sporting a new spiderweb pattern. The shopowners in this town must spend a fortune replacing windowpanes.

Sunday was fairly unventful, as we overslept and then spent an hour walking around, trying to find a place still serving English breakfast at one p.m. (we failed)... then over to the National Museum and Gallery, close to Cardiff University. There were some permanent exhibititions about the evolution and natural history of Wales that are so en vogue at the moment, but luckily we all agreed that it couldn't be that different from similar ones in London, so went straight up to the first floor to check out the art galleries. After experiencing defeat at the hands of the enormous National Gallery on Trafalgar Square, this museum was a relief -- a satisfying two hours exploring European art from the last 500, but mainly the last 150, years. Of course there's a focus on Welsh artists, patrons, and craftsmen (particularly ceramics), but I also found particularly interesting the Pre-Raphaelite room, not so much for aesthetic reasons as for the mission of the group itself, and how it led into the Victorian period. However, my interest still remains focused in contemporary art, so I was pleased to see work by Max Ernst, David Hockney, and an elegant piece, 'Oval Sculpture (Delos)' by Barbara Hepworth.

The museum closed at five, but after such a late brunch we weren't ready yet for dinner -- so decided to spoil it by munching on treats at the movies (we saw Closer, which I recommend for all disenchanted singles to watch on Valentine's Day, and for all faltering couples to avoid altogether). After, had a light dinner anyway at La Tasca, a tapas restaurant which I suspect is a chain, but had yummy, cheap food and a nice vegetarian selection.

Monday we were up early to get our hands on an English breakfast, which we ended up eating in the dining room at Howell's department store. A strange location, but in fact I'd recommend it, if only because they have scones and clotted cream! Then we took a bus down to Cardiff Bay, desperate to see a large body of water, and took a three-pound boat tour. Frankly the tour should have been called "Cardiff Bay: Come Back in Ten Years" (as you can see for yourself from this webcam view). There's a development explosion going on all around the waterfront, but it's still in very early stages, so all that's there now are a few restaurants and the Wales Millenium Centre, which is huge but in about five years is going to look absolutely hideous (to some of us, it might look hideous now). Although there's a great fountain-wall beside it of which we snapped many touristy photos.

Luckily, the Cardiff Castle has been around (literally) for ages, so we were quite happy to finally take our tour and see things built long, long ago. The castle itself is a mish-mash of different centuries, various towers built by the Romans, the Normans, through the 20th century (skipping a hundred years here and there). The last inhabitants, the Butes of Scotland, used it as a summer home six weeks out of the year in the late 19th century, and transformed it into an extravagant kitsch-fest that is absolutely unmissable. Every room has a theme -- astronomy, the elements, mythology and/or fairy tales, Welsh history, etc. -- and let me tell you, no expense was spared. Gold inlay and Italian marble all over the place; in the most preposterous places, in fact, though I will say the gilded ceilings grew on me.

It turned out not one person in our tour group was British; when he realized this, our guide automatically assumed us all to be stupid and so made fascinating remarks such as "And here we see Cupid, a Greek mythological creature." He also spoke reverently and at length about the Butes in all of their generosity and wisdom. At one point C. asked him a question about the growing independence of Wales and Scotland, as we'd just had a look at the new National Assembly of Wales down at the bay. He sighed heavily, squinted at us through his little wire-rimmed glasses, and said, "Yes, it looks as though the United Kingdom will one day come to an end; as for myself, I am British through and through." I wish I knew his name so I could recommend him to you all. This was the quintessential tour guide in action!

After the tour, we recovered in a cosy little tea-shop called Truffles, which was piping out Muzak at its finest. The three of us munched on tea-time treats and fish and chips, guessing the songs. At one point the waitress came over and said, "Yeah, the music's crap, isn't it?" When we protested that it was highly entertaining, she said, "Try working here. It really salts on the hearing." Ah, that dry British humo(u)r.

And so back on the bus and back to the big city -- but I have a feeling I'll need a fresh dose of British local color soon enough! Perhaps Liverpool? After all, I did listen to nothing but the Beatles for two years in my early teens-- a pilgrimage is probably in order.

Thursday, January 27, 2005

Rock over London...

Okay, so January's almost over and this is my first post. But as those of you who saw me over Christmas back in the States (or have seen me since returning to the U.K.) know, this term is utter insanity. Luckily, I may have come up with a dissertation topic... and decided to try for a Ph.D. Turns out this is just my kind of insanity, actually -- the nerdy kind.

But there are nerds everywhere, and there's only London in London. I've done a few noteworthy things besides joining the British Library (which is so cool -- and not just because they have the Magna Carta), so I figured before it's officially February, I should take a night off from reading Lacanian theory and share.

My first weekend back in town, I figured I should check out a new cinema -- the Cine Lumiere in South Kensington -- and a new doco, the well-received Mondovino, another one of these progressive documentaries a la The Corporation, about the corporatizing of the wine industry. Definitely worth its weight in gold in terms of entertainment value -- there is nothing like cranky old French men, whose families have been making wine for half a millenium, insulting those American upstarts taking all the terroir out of the biz. However, way, way too long -- nearly three hours, pretty haphazardly structured and full of that caffeinated camera-work that tends to make audience members nauseous or, at least, highly annoyed. I'd say unless you have a vested interest in the workings of the wine world -- or globalization -- you could wait for video.

That same weekend, I discovered a new bar, called Point 101, right near the Tottenham Court Road tube station. Now, I admit its main attraction is staying open past 11 p.m. -- although I hear that London is changing its liquor license laws, miracle of miracles -- but it also plays ridiculously cheesy tunes (think "Carwash," "Superfreak," "California Love" and "Let Me Clear My Throat") and has lots of large, comfy couches perfect for group outings. I've been there twice so far and both times have laughed so much, not just at the musical selection but (even better) at the poor drunk Brits dancing in between the tables! I think I have found my kitsch heaven. Did I mention they also have large plastic chandeliers? And that the large couches are also round?

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A couple weeks back my flatmate M. and I headed out to the Bloomsbury Theatre at University College London (what's up uni?) to check out the T.S. Eliot Prize Shortlist Reading -- ten of the best in the UK, Ireland, and Canada in one evening! The poets generally read four or five poems, so I avoided the poetry overload I suffered at the end of Poetry International back in October. Highlights:
Michael Symmons Roberts, whose fourth collection Corpus is a truly unique, very compelling exploration of how science -- specifically, the science of genetics -- makes its presence felt in our everyday lives. I found him the most exciting poet of the evening, and not least because he knew how to read his work in a way that engaged both with the words on the page and the audience listening to them. Here's a bit from "To John Donne," which describes a couple making love in the context of the mapping of the human genome and the patenting of genes by pharmaceutical companies (yeah, like I said, involved and amazing): "Let your lips, and hers, in whispers claim back the coordinates of bodies." And this, from "Pelt": "Maybe the world shrugs off a hide each year to grow a fresh one."
Ruth Padel, who I was first introduced to -- no, not personally -- when she read Pablo Neruda's poems at Poetry International (check out that entry here, if you missed it). Her newest book, The Soho Leopard, explores the notion of wildness, the intersection between the "natural" world and the city. Her series of poems on urban foxes in London is wonderfully evocative for a newcomer to this big, lonely place.
Kathleen Jamie, whose poetry blooms with imagery but is lovely to listen to (at least for my American ears) for the music of her Scottish accent while reading. Her book The Tree House won the 2004 Forward Prize for Best Collection, and I think it's a great example of how plenty of contemporary poetry avoids the lifeless and pseudo-cerebral, rooting itself quite simply in language. Here's her sonnet "Before the Wind" -- check out some of these line breaks!:

If I'm to happen upon the hill
where cherries grow wild
it better be soon, or the yellow-
eye birds will come squabbling

claiming the fruit for their own.
Wild means stones barely
clothed in flesh, but that's rich
coming from me. A mouth

contains a cherry, a cherry
a stone, a stone
the flowering branch
I must find before the wind

scatters all trace of its blossom
and the fruit comes, and yellow-eyed birds.

And finally, George Szirtes, (who ultimately won the very nice 10,000 pound prize for 2004), and who I might call Britain's answer to Charles Simic. His poetry, at least what I've seen in Reel, has the same quiet, thoughtful reverence on people and places, even as that reverence carries with it a sadness, as once his adult narrator returns to the childhood memories, they are of course irrevocably changed. His list poem "Water" begins: "The hard, beautiful rules of water are these:" And no, I won't tell you what they are, because you should read his book!

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Last Saturday, I went with my friends G. and C. (who are also travelling with me to Cardiff this weekend -- I promise I will post about that adventure more promptly!) to see the Kronos Quartet at the Barbican Centre. For those of you not familiar with the whirlwind scene of avant-garde classical composition, the Kronos Quartet are the superstars of that scene, and if a composer is lucky enough to have them collaborate with her on a piece or several pieces, it's a real achievement. This was clear enough by the fact that the composers of nearly every piece they played on Saturday were in attendance, and most of them, when they came out for their bow, ran over to Kronos and gave all four of them big hugs. Some of you may be familiar with their work on the soundtrack for Requiem for a Dream -- they are responsible for the ominous, oppressive strings which drift in and out of Clint Mansell's desolate electronic score. I bought that CD and their latest, Mugam Sayagi, featuring the music of Franghiz Ali-Zadeh. And I got them signed! As for the concert itself, they played pieces from both of those albums -- as well as, among other selections, a really hypnotic, dissonant song, "Potassium," by Michael Gordon, a composer I'm not familiar with, but who I will have to learn more about -- he completely deconstructs the idea of a chamber piece. The concert was billed for featuring a world premiere of the first piece written for a string quartet by landmark avant-garde composer Meredith Monk, called "Stringsongs." This work so completely absorbed me, and in a really unfamiliar way, that I am at a real loss to describe it for you, dear readers. (However, you can listen to this entire concert on BBC Radio 3 on March 27, if you'd like to find out for yourself.) I need to go to concerts like this more often, I think -- I always learn so much!

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Well, I think that about settles the January wrap-up -- I tried to see a staging of Max Frisch's Bluebeard at a stage on the second floor of a pub called The Lion and the Unicorn (gotta love the Orwell reference) in Kentish Town, but the sound system blew and I couldn't be bothered to go back another night. The pub's not bad, though, and it has Grolsch on tap.

(PS: Even if you never click on a single one of the links I provide in my posts, please do for Max Frisch. The music on that webpage is absolutely priceless!)